![]() ![]() ![]() White critics wrote 82 percent of the reviews and critics from underrepresented racial/ethnic backgrounds authored 18 percent. Of the 19,559 reviews evaluated, 22.2 percent were written by females, with 77.8 percent crafted by male critics - 3.5 males to every 1 female reviewer. The report uses reviews of the 100 top grossing films of 2017 posted on the site Rotten Tomatoes to assess gender and race/ethnicity of critics, finding that reviewers are overwhelmingly white and male. ![]() Smith and the Annenberg Inclusion Initiative to investigate inclusion among film reviewers, and examines access and opportunity for film critics. The report, titled “Critic’s Choice?” is the first from Associate Professor of Communication Stacy L. But as audiences look to critical reviews to determine if these movies are worth the ticket price, what perspectives are available? A new study from the USC Annenberg School for Communication and Journalism reveals that the film reviewers are unlikely to be as diverse as the casts they are critiquing. Realism is not expected but some of the unrealism is oddly annoying.Films like Crazy Rich Asians, The Spy Who Dumped Me, BlacKkKlansman and The Happytime Murders are poised to provide a much-needed dose of diversity to theaters this summer. Also it's hyper-unreal that Utah keeps finding these people in the vast ocean. In this one, the movie grinds to a halt whenever there is no action. It's hard to remember sometimes but Keanu Reeves has an unique charm that really works well in certain movies. There is nothing to the character and he's unable to inject anything into it. It starts with the very bland Luke Bracey. The story and the actors are another matter. The action is over-the-top and somewhat fun. They may be the only compelling goodness derived from this movie. It starts with a ridiculous CGI action scene. He becomes close to Samsara Dietz (Teresa Palmer). He gets help from Angelo Pappas (Ray Winstone) and infiltrates a group led by Bodhi (Édgar Ramírez). Utah recognizes them to be part of the Ozaki 8, eight spiritual Herculean tasks with extreme natural forces. His boss Hall (Delroy Lindo) has a case of extreme unusual robberies. Reviewed by SnoopyStyle 4 / 10 some fun actionĮxtreme athlete Johnny Utah (Luke Bracey) loses his friend during a dangerous motocross stunt. I tried to give it a break and approached it with an open mind but alas it is a poor film. ![]() The remake lacks all of this even though it tried to go on a new direction. Although not the greatest actors around, Bigelow got charismatic turns from Keanu Reeves and Patrick Swayze and sturdy support from Gary Busey as Reeves FBI boss. The original Point Break directed by Kathryn Bigelow, who would go on to become the first female Oscar winning director found a zeitgeist of Generation X sports action thriller with well staged action sequences. The colour grading is awful making the film look cheap despite the international locations. The film then becomes boring and after a while even the action scenes just get duller. In its own right the film starts brightly enough with plenty of CGI enhanced action but later on the film actually comes to a stop in the non action sequences when the characters just talk. Utah infiltrates the gang which is led by Bodhi (Édgar Ramírez.) Utah believes that the group are taking part in the Ozaki 8, eight spiritually extreme sport challenges that coincide with the daring robberies. His boss Hall (Delroy Lindo) sends him to investigate a series of elaborate heists from a gang who behave like Robin Hood robbers. This remake sees extreme sports athlete Johnny Utah (Luke Bracey) who after losing a friend when a motocross stunt goes wrong goes on to become a FBI agent some years later. Point Break was rebooted in 2001, it was called The Fast and the Furious where the surfing was replaced by street car racing. Reviewed by Prismark10 2 / 10 No dead presidents ![]()
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